Anastasia Tsioulcas

Anastasia Tsioulcas is a reporter for NPR Music. She reports on a wide range of musical genres and music-industry topics for NPR's flagship news programs, as well as for NPR Music.

Tsioulcas is intensely interested in the arts at the intersection of culture, politics, economics and identity. She has profiled musicians and dancers in contemporary Cuba, a punk drummer from Washington, DC who raced to preserve the artistic traditions of pre-civil war Syria, a band of Muslim and Jewish musicians from Algeria reunited after 50 years, and an interfaith group from Texas rooted in a 700-year-old singing tradition from south Asia. She has also brought listeners into the creative process of musicians like composers Steve Reich and Terry Riley.

As a video producer, she has created some of NPR Music's high-profile music documentaries and performances, including bringing cellist Yo-Yo Ma to a Brooklyn theatrical props warehouse and pianist Yuja Wang to an icy-cold Steinway & Sons piano factory in Queens. Tsioulcas also produces some of the episodes in NPR Music's much-lauded Tiny Desk Concert series, and has hosted live concerts from venues like the Metropolitan Museum of Art and New York's (Le) Poisson Rouge. She has also commissioned and produced several world premieres on behalf of NPR Music, including a live event that brought together 350 musicians on the steps of the Brooklyn Public Library.

Tsioulcas has reported from across Europe, north and west Africa, south Asia and Cuba for NPR and other outlets. Prior to joining NPR in 2011, she was widely published as a writer and critic on both classical and world music, and was the North America editor for Gramophone Magazine and the classical music columnist for Billboard.

Born in Boston, Tsioulcas was trained from an early age as a classical violinist and violist. She holds a B.A. from Barnard College, Columbia University in comparative religion.

Two additional women, violinists Emilia Mettenbrink and Raffaela Kalmar, have made allegations of sexual misconduct against violinist William Preucil, the concertmaster of the Cleveland Orchestra and a now-former instructor at the Cleveland Institute of Music (CIM). Their accusations were printed in the Cleveland Plain Dealer on Sunday.

On Thursday, Barbra Streisand released a new, very politically focused song: "Don't Lie to Me."

Updated 11:35 a.m. Sep. 20 with portions of a statement from Ticketmaster in response to the CBC and Toronto Star's reporting.

The New York Philharmonic announced Sunday that it has taken action against two prominent musicians over unspecified "misconduct": the orchestra's principal oboist, Liang Wang, and its associate principal trumpeter, Matthew Muckey.

The orchestra said the decision came after a five-month internal investigation, led by a former federal judge. Both musicians dispute the Philharmonic's findings, and while the musicians' union reviews the orchestra's decision, the two have been placed on unpaid leave.

Updated at 7:15 p.m. ET

Until last Thursday, violinist William Preucil was one of Cleveland's most lauded and visible music stars. For more than two decades, he has served as concertmaster of the Cleveland Orchestra, one of the top orchestras in the U.S., while teaching at the prestigious Cleveland Institute of Music (CIM) conservatory, where he was a nationally known instructor. Prior to joining the Ohio symphony, Preucil was the first violinist in the Cleveland Quartet, which won a Grammy during his tenure.

On Friday, the Cleveland Orchestra suspended one of its star performers, violinist and concertmaster William Preucil, over allegations of sexual misconduct published Thursday by the Washington Post.

On Tuesday, the Securities and Exchange Commission (SEC) announced that it has settled its claims against the founder of the failed Fyre Festival, Billy McFarland. The commission accused McFarland of defrauding more than 100 investors out of $27.4 million. McFarland has admitted to the SEC's charges against him.

Boston Symphony Orchestra principal flutist Elizabeth Rowe has filed a lawsuit against the orchestra, claiming that she is making substantially less each year than her closest peer — a man.

Pages