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Ken Howard/Met OperaThe composer's magnetically powerful Fire Shut Up in My Bones lands with a force of authenticity, a too-rare window into Black life in an operatic setting. -
Arkansas Cinema Society/Whether it's been over a year since your last trip to the cinema, or you're hot off the heels of the latest blockbuster release, we could all use a trip…
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A simple, wistful daydream of a piece that will make you wonder where this undervalued composer has been all your life.
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Composer Tyshawn Sorey's symphonic salute to one of his mentors, For George Lewis, evolves gradually in tranquil, multi-textured waves of sound.
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Imagine you're suspended in some primordial gas cloud where matter is transforming, regenerating, building toward the birth of a planet. That's what Enigma sounds like.
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The versatile and impassioned singer was ready to throw in the towel until she heard a message in a Nina Simone song that told her, "You're going be fine. I understand how you feel. Keep going."
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The trailblazing singer, who broke the color barrier at the Metropolitan Opera in 1955, is remembered in a deluxe new release of albums and images. -
The groundbreaking choreographer, who is also the first Black director at the Metropolitan Opera, says she found self-expression through dance.
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This piece, from a new album of orchestral works by Richter, depicts the opening of Virginia Woolf's Mrs. Dalloway by pairing pulsating rhythms with the composer's signature wistful melodies.
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The creative couple, who married in 2020, thrive on gratitude, community and the new approaches they've taken in the wake of the pandemic.
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To understand more about the present, sometimes you have to look back to the past. That's exactly what Whit Barringer and Andy Vaught did, bringing back a…
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The rising young baritone, searching for diversity in the opera house, tries on his composer hat by putting a Black spin on Rossini's The Barber of Seville.
