Elizabeth Blair

Elizabeth Blair is a Peabody Award-winning senior producer/reporter on the Arts Desk of NPR News.

Blair produces, edits, and reports arts and cultural segments for NPR's Morning Edition, All Things Considered, and Weekend Edition. In this position, she has reported on a range of topics from arts funding to the MeToo movement. She has profiled renowned artists such as Yayoi Kusama and Mikhail Baryshnikov, explored how old women are represented in fairy tales, and reported the origins of the children's classic Curious George. Among her all-time favorite interviews are actors Octavia Spencer and Andy Serkis, comedians Bill Burr and Hari Kondabolu, the rapper K'Naan, and Cookie Monster (in character).

Blair has overseen several, large-scale series including The NPR 100, which explored landmark musical works of the 20th Century, and In Character, which probed the origins of iconic American fictional characters. Along with her colleagues on the Arts Desk and at NPR Music, Blair curated American Anthem, a major series exploring the origins of songs that uplift, rouse, and unite people around a common theme.

Blair's work has received several honors, including two Peabody Awards and a Gracie. She previously lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

Hari Kondabolu is a brainy comedian who cuts through the polite talk around race and gender. He's made a lot of key people laugh with his incisive anecdotes, including Jimmy Kimmel, Conan O'Brien and John Oliver.

A full-time writer on the FX show Totally Biased with W. Kamau Bell, he recently did a comedy bit on the National Spelling Bee, or "as I like to call it," he joked, "the Indian Super Bowl."

Anyone who worked closely with Pete Seeger knew the legendary folk singer's wife. For seven decades, Toshi Seeger organized his festivals and handled his travel and correspondence. The social activist died Tuesday. She was 91.

There will be hits and misses at movie houses this summer, but it's a decent bet Despicable Me 2 will end up in the that-went-well column.

The star, a would-be world-dominating supervillain named Gru, is a hulking, blustering figure with an appetite for mayhem — and a surprising soft spot. He'll boast that he's about to pull off "the crime of the century," then sit down to read his little girls — he's recently, reluctantly, adopted three of them, and they're adorable — a bedtime story.

Parents steer their kids to media for all kinds of things: as a distraction so they can make dinner, to teach letters and numbers, and for pure entertainment. There are also times when parents rely on books, TV, museums and other media when they aren't quite sure how to approach a difficult topic by themselves.

Call it the Smithsonian's bubble problem. One of the Smithsonian museums — the Hirshhorn museum for contemporary art — came up with an ambitious new design to add more space: Why not build a giant, inflatable structure that would be big enough for people to walk around in?

But some of the Smithsonian's trustees in Washington, D.C., haven't been blown away by the bubble.

Georges Moustaki, one of France's most beloved songwriters, died Thursday in Nice after a long illness. He was 79. Moustaki was known for infusing French song with sounds from around the world.

It's Cinderella plus Jackie Robinson times two. When Venus and Serena Williams burst onto the lily-white world of tennis, they changed the game and made history: They were sisters. From a poor neighborhood. Who brought unprecedented power to the game. And both reached No. 1.

Their journey is the subject of a new documentary called Venus and Serena, showing in select theaters around the country.

This is the third in a three-part series about the intersection of education and the arts.

Life Pieces to Masterpieces is an arts program that's not entirely about the art. It's an after-school program based in a struggling neighborhood in Washington, D.C., that teaches black boys and young men what they call "the four C's": "Connect, create, contribute, celebrate." From ages 3-25, they learn to express themselves by conceiving their paintings together. And those paintings will often reflect what's going on in their lives.

This is the second in a three-part series about the intersection of education and the arts.

Let's start with a question from a standardized test: "How would the world be different if we all had a third eye in the back of our heads?"

It's not a typical standardized question, but as part of the Next Generation Creativity Survey, it's used to help measure creativity a bit like an IQ test measures intelligence. And it's not the only creativity test out there.

How we end up in life has a lot to do with where we came from. That theory gets a good workout in the play Good People, from Pulitzer Prize-winner David Lindsay-Abaire. When the show was on Broadway two years ago, the trade magazine Variety proclaimed that "If Good People isn't a hit, there is no justice in the land."

As it turns out, justice has been served: Good People is the most produced play in America this theatrical season. By the end of this summer, it will have been on stage in 17 different cities.

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