Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

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MICHEL MARTIN, HOST:

The Hebrew Psalms have inspired composers for thousands of years.

Now, New York's Lincoln Center is presenting The Psalms Experience, a festival of choral settings of all 150 Psalms by 150 different composers. It includes nine U.S. premieres.

We Shall Not Be Moved is a new opera that takes its name from both the old spiritual-turned-civil-rights anthem and the Philadelphia black liberation group, MOVE. That group might be best-remembered for a 1985 tragedy: A police helicopter bombed the MOVE house, and the resulting fire killed 11 people and destroyed 62 homes in the neighborhood.

The opera, presented by Opera Philadelphia with the Apollo Theater, had its world premiere Sept. 16. It revisits that house and its ghosts, while remaining centered on stories about young people in Philadelphia today.

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One of the ingredients a successful Broadway show needs is a talented cast. That starts with talented casting directors, the people who can see a Tony-winning star in the making, say, when a performer walks into an audition as a college student named Audra McDonald.

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Russian, American and French ballet dancers are gathering Thursday night for a bit of cultural diplomacy at New York City's Lincoln Center. They're celebrating the 50th anniversary of George Balanchine's masterpiece Jewels, considered the first full-length, nonnarrative ballet.

Pulitzer Prize-winning playwright Edward Albee has been in the news a lot lately. Albee died in 2016, and since then his estate has turned down a multi-racial production of Who's Afraid of Virginia Woolf? and put his contemporary art collection up for auction for an estimated $9 million.

Lillian Hellman's 1939 melodrama The Little Foxes has two great roles for actresses over the age of 40. Laura Linney and Cynthia Nixon fill those roles in a new revival on Broadway ... but with one big twist: Linney and Nixon play both roles and switch off at different performances.

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For decades, there have been exactly 40 Broadway theaters all between 41st and 65th Streets in Manhattan. Tonight, a new theater opens that also happens to be the oldest. Are you confused? No one better than Jeff Lunden to clear it up.

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Classical composers have long had their patrons: Beethoven had Archduke Rudolph, John Cage had Betty Freeman. For contemporary opera composers, there's Beth Morrison. She and her production company have commissioned new works from some of the most innovative emerging composers today.

The last time New York's Metropolitan Opera presented a work written by a woman was 113 years ago. It's a drought that lasted longer than the years between the Cubs' World Series victories. That situation has finally been rectified this week with the New York premiere of the opera L'Amour de Loin by Finnish composer Kaija Saariaho.

Christmas is coming, and soon TV screens everywhere will light up with that 1946 holiday classic, It's a Wonderful Life. But the same story is coming a little early to the stage of the Houston Grand Opera. That's right: An operatic version of George Bailey's struggle with life and death opens this Friday.

Librettist Gene Scheer admits that adapting such a beloved movie has sometimes felt like a fool's errand. "It's almost secular scripture, this piece," he says. "Everyone knows all the lines."

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Yesterday in New York, something very big happened outside Lincoln Center: One thousand people gathered to sing a new piece by Pulitzer Prize-winning composer David Lang. Entitled the public domain, it was a celebration of the 50th anniversary of the Mostly Mozart festival.

Miles Salerni, a 25-year-old percussionist, is one of this year's elite instrumental Fellows at Tanglewood, the Boston Symphony Orchestra's summer home in the Berkshires in western Massachusetts. But it took him a while to get there — five tries, to be exact.

Many audition for this prestigious training program, but few are selected. When Salerni got rejected for the third time, he knew he had to find another way to get to Tanglewood.

In September 1993, Israeli Prime Minister Yitzhak Rabin and Palestine Liberation Organization Chairman Yasser Arafat shook hands on the White House lawn. It was an iconic moment — two mortal enemies had come to terms on a historic peace agreement.

That agreement was forged during months of secret back-channel talks in Norway. A new off-Broadway play, OSLO, looks at this little-known part of the peace process.

You might not know Marni Nixon's name, but you've probably heard her. The singer dubbed the voices for Deborah Kerr in The King and I, Natalie Wood in West Side Story and Audrey Hepburn in My Fair Lady — three of Hollywood's biggest movie musicals.

Nixon died Sunday at 86 from complications from breast cancer.

You often don't think of opera at the famed Apollo Theater in Harlem. Tonight that changes: Charlie Parker's Yardbird gets its New York premiere there. It's an opera about the jazz saxophonist on the very stage where Parker played in his lifetime.

The opera's Swiss-born composer Daniel Schnyder is a jazz saxophone player himself, who is also classically trained. He wants to combine his two favorite kinds of music.

The nation's oldest orchestra, the New York Philharmonic, announced the appointment of its 26th music director Wednesday.

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Ten years ago, Griffin Matthews was singing in a church choir when his pastor found out he was gay and kicked him out. Feeling depressed, he booked a ticket to Uganda for mission work. What happened next is the subject of Invisible Thread, a new off-Broadway musical co-written by Matthews and his life partner, Matt Gould.

Matthews, a working New York actor, says he was quickly disillusioned after he arrived in Uganda and found out the man leading his volunteer organization was corrupt.

Annaleigh Ashford is down to earth. Very down to earth. Sitting in her Broadway dressing room, she talks about all of the people who've inhabited that same space – Denzel Washington, Ian McKellen and, most recently, Larry David, who left a sticker with his name by the toilet.

"Occasionally I like to remind myself, you know, the many fabulous people who have pooped where I am pooping," she says.

"It's disgusting," she adds in a whisper. "But magical!"

When the curtain rises on the Metropolitan Opera's new production of Verdi's Otello tonight, opera fans will quickly notice what's not there. For the first time since the opera was first staged at the Met in 1891, a white singer performing the title role will not be wearing makeup to darken his complexion to play the Moor at the center of the tragedy.

The list of its faculty and students is a who's who of 20th-century music: Aaron Copland, Leonard Bernstein, John Adams, Augusta Read Thomas.

By now, you may have heard about the new Broadway musical Hamilton. When it opened off-Broadway in February, it earned almost unanimous raves and awards for blending history and hip-hop. Its sold-out run had A-list celebrities and politicians clamoring for tickets. Thursday night, the story of Alexander Hamilton, and the Founding Fathers and Mothers, opened on Broadway.

Broadway is New York's biggest tourist attraction and brought in $1.3 billion in ticket sales last season. But it's also a high-stakes gamble for producers, since only 1 in 4 Broadway shows turns a profit. This month, two of the fall's most highly anticipated musicals, a revival of Side Show and The Last Ship, with songs by Sting, have thrown in the towel — closing, having lost almost their entire investments.

New York is saying goodbye to another historic building. Steinway Hall, the main showroom for Steinway & Sons pianos, will be moving to a new location, leaving its home of almost 90 years on 57th Street near Carnegie Hall. The first floor has been designated a landmark and will be preserved, while the rest of the building will be torn down to build high-rise luxury condominiums.

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