
Ken Tucker
Ken Tucker reviews rock, country, hip-hop and pop music for Fresh Air. He is a cultural critic who has been the editor-at-large at Entertainment Weekly, and a film critic for New York Magazine. His work has won two National Magazine Awards and two ASCAP-Deems Taylor Awards. He has written book reviews for The New York Times Book Review and other publications.
Tucker is the author of Scarface Nation: The Ultimate Gangster Movie and Kissing Bill O'Reilly, Roasting Miss Piggy: 100 Things to Love and Hate About Television.
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Whether glossy and heartfelt (Clarkson's Wrapped in Red) or earnest and playful (Lowe's Quality Street: A Seasonal Selection for All the Family), these albums can help conjure a holiday mood in the month before Christmas.
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Ken Tucker calls the country singer-songwriter's new 12 Stories a "modestly amazing album." Every song is striking, textured and finely detailed.
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The singer-songwriter's new album sounds like a collection of songs that could have been sung a hundred years ago, or written and recorded just a few weeks ago. She's joined on the album by her ex-husband, Richard Thompson, and their three children.
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Musical duo The Blow, in which the singing of Khaela Maricich meets the mixing of Melissa Dyne, has just released a new eponymous collection. Critic Ken Tucker says the electro-pop on the album is self-aware, sexy and smart — and, while informed by the art world, never dips into "art-rock" territory.
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On Three Chords and the Truth, James King picks from the canon of country music to rearrange its songs as bluegrass. Alan Jackson has recorded his first collection of bluegrass music.
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Can the highly publicized band turn its hype into hits? Ken Tucker wants to join the fan club.
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Schneider's Burden of Proof is a frequently beautiful, often morose, downcast album. You get the sense that, when he sings about not connecting with someone he loves, he's also singing about not connecting with a bigger audience.
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Frequently on her new album Timekeeper, Schwartz sounds like a throwback to another era. Her singing sometimes possesses the spirit of a more lighthearted Laura Nyro, and she has a healthy fondness for The Beatles.
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The singer's new album is a work of great, accomplished craft about the pointlessness of crafting anything you care about, because the world is just going to ruin it on you.
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A key to the ongoing allure of Dylan's music lies in its ability to stand apart from its time. A new collection of alternate takes and demos re-evaluates the critical flop that was 1970's Self Portrait.