Historian Ian Buruma chronicles the lives of ordinary Berliners — including his own father — during World War II. Stay Alive is about the past, but has powerful lessons for the present.

Lithgow, 80, plays an intelligence agent in the FX action series The Old Man, and he's currently starring in the Broadway production of Giant, about a troubling side of children's author Roald Dahl.

Moroney's album arrives as a new kind of music from Big Pink: The Georgia-born singer/songwriter spins out tales of romantic revenge with a smooth fluency that's a stark contrasts to her raspy drawl.

Journalist Beth Gardiner says the fossil fuel industry is increasingly reliant upon plastic products. Her book is Plastic Inc.: The Secret History and Shocking Future of Big Oil's Biggest Bet.

Set in a quaint Irish village, The Keeper follows The Searcher and The Hunter, and solidifies the crime series' status as a contemporary classic.

The Trump era has brought a resurgence of the "alpha male." New Yorker writer Charles Bethea reports on camps where men crawl through mud and sit in ice baths in an effort to reclaim masculinity.

Josh Owens spent four years as a video editor and field producer for Jones' Infowars media company. "It was all about making things look cinematic," he says. Owens' memoir is The Madness of Believing.

Scott is doing what she wants: "Everything has led me to this place." Her new album is To Whom This May Concern. Ahmed is his own worst critic. His new show Bait explores that.

Yellowstone's creator is back with two new shows set in the American West. Marshals struggles, but The Madison offers a thoughtful portrait of a family in flux.

After the sudden death of her boyfriend, a young Berlin woman is taken in by a family she meets in the countryside. In showing the ache of love and loss, Miroirs No. 3 holds up a mirror to us all.