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Obama commended the country's prolific metal scene while speaking with European Nordic leaders. "Finland is making the weirdest heavy metal imaginable," Decibel editor-in-chief Albert Mudrian says.

The keyboardist co-founded the band after meeting Jim Morrison in California. The Doors went on to become one of the most successful rock 'n' roll acts of the 1960s. Manzarek, 74, died in Germany after a long battle with bile duct cancer.

Rateliff discusses his songwriting process on Tearing at the Seams, the latest album with his band, the Night Sweats.

More than anything Malkmus has done, Real Emotional Trash engages in the sort of shape-shifting that marked Bob Dylan's career. He wears a different mask on virtually every song, and it certainly helps that the band is his strongest post-Pavement outfit yet.

Miami-based DJ Le Spam has been orchestrating Afro-Cuban beats for more than a decade. With a cadre of horn, guitar and flute players and a stack of old records, he and the Spam Allstars hold court weekly at the club Hoy Como Ayer. Here, he paints a picture of the Miami club scene and shares some of the stories behind the new album Introducing Spam Allstars.

Langhorne Slim and his band The War Eagles mix folk and blues with reckless punk-rock energy. Now touring with a new self-titled album, the singer-songwriter performs and discusses his love for playing live.

American and Brazilian musicians have been finding common ground ever since jazz artists turned to bossa nova 50 years ago. But the result has never quite sounded like Nation Beat's mash-up of Southern country and northeast Brazilian maracatu.

After years spent playing with a backing band or collaborating with other artists, Harper returns with a resolutely solo recording called Give Till It's Gone.

Judges for NPR Music's Tiny Desk Contest watched thousands of videos, and here on Weekend Edition we're highlighting some of the standouts — this week: C.J. Johnson from Oh He Dead.

Hall doesn't often hog the spotlight on his debut album, Into the Light. He doesn't need to; he plays more stuff behind other musicians than some drummers do in a solo. Hall stays busy back there, exhorting and swinging the band, playing contrary rhythms, shifting his patterns and punctuating everybody else's solos.