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  • A wide range of tunes for children is climbing the music charts — and much of it is acceptable to adult ears. Stefan Shepherd, who writes the kids music blog Zooglobble, talks to Melissa Block about his current favorite songs and artists.
  • Tell Tale Signs, the eighth collection of rare and unreleased Dylan recordings, is devoted to the music Dylan made between 1989 and 2006. According to critic Tom Moon, the collection offers rare glimpses into Dylan's artistic process.
  • Saxophonist Branford Marsalis has jazz in his genes. His father is pianist Ellis Marsalis, and all three of his brothers — trumpeter Wynton among them — are jazz musicians. On Fresh Air, he recalls growing up surrounded by music.
  • Artist Gloria DeArcangelis likes moody, thoughtful music in the background while she does her paintings. She's the latest participant in our series "What Are You Listening To?"
  • In his book Glock: The Rise of America's Gun, Paul Barrett traces how the sleek, high-capacity Austrian weapon found its way across the U.S. Also, TV writer David Milch talks about his new HBO series Luck. And rock historian Ed Ward looks back at The Smiths.
  • The coronavirus outbreak exposed flaws in the global health system but also showed a willingness among countries to work together, Tedros Adhanom Ghebreyesus, the WHO's director-general, says.
  • On a new CD, Streams of Expression, tenor sax player Joe Lovano performs three songs arranged by Gil Evans for the Miles Davis Nonet. The selections form the origins of the "cool sound" in jazz. They're part of a suite sewn together by Gunther Schuller, who played with Davis.
  • After 20 years and 11 albums, the Cowboy Junkies are looking inward. Their latest album focuses on the big events in their lives over the years — marriage, settling down and starting families of their own.
  • Latin alternative can mix salsa and rock, or flamenco and hip-hop. It's wildly popular in the Spanish-speaking world, but it has yet to find that widespread popularity in the United States.
  • Morrissey has been a fixture on the pop-music landscape for more than two decades. Music critic John Brady says listening to his eighth solo album is like having a conversation with a neighbor — a mopey, gothic, somewhat strange but always exciting neighbor.
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